Tag Archives: Glen Hall

Audiopollination #19.2 with Roman Stolyar

Thursday June 12th: Audiopollination 19.2 with Roman Stolyar (Novosibirsk, Russia)

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Roman Stolyar

with

Lina Allemano – trumpet

Bruce Cassidy – EVI (electric valve instrument)

John Gzowski – guitar

Chris Cawthray – drums

Bob Vespaziani – wave drum

Tom Richards – trombone

Jim Sexton – bass

Michael Lynn – bass

Glen Hall – saxophone, flute

1. Roman Stolyar/ Glen Hall/ Jim Sexton/ Tom Richards/ Bob Vespaziani/ Chris Cawthray/ John Gzowski/ Bruce Cassidy/ Lina Allemano

2. Roman Stolyar/ Michael Lynn / John Gzowski/ Bob Vespaziani

3. Everyone except Lina Allemano

4. Everyone except Lina Allenano and Michael Lynn

5. Roman Stolyar solo

bio – Roman Stolyar (Novosibirsk, Russia)

 Educated both as jazz pianist and contemporary composer, Siberian improviser Roman Stolyar melts various styles and genres in his playing – from ancient polyphony to modern counterpoints and clusters. One of key figures in Russian improvised music, he has collaborated with many outstanding musicians, including Dominic Duval, William Parker, Vinny Golia, Susan Allen,  Weasel Walter, Assif Tsahar, Martin Kuchen, Carl Bergstroem-Nielsen, and many others. His improvisational workshops have garnered him an international reputation, and have led to many invitations to create and implement workshops for organizations and universities around the world, including the University of Michigan, Mannes College, the California Institute of the Arts, Chateu d’Oex Music School in Switzerland, and the Versailles Conservatory. He is an author on the first Russian book on teaching free improvisation – “Modern Improvisation: A Practical Guide for Piano”.

video http://www.youtube.com/watch?v=UhVhwLVT270

Audiopollination #16.2

Audiopollination 16.2

images

March 13th

Ft. Gil Delindro

1. 6 heads ( http://www.recordism.com/SixHeads/SixHeads.html ) with Gil Delindro

2. Glen Hall / David Sait / Ted Phillips

3. Gil Delindro ( delindro.com   )
visuals by John Creson and Adam Rosen

About Gil Delindro

Gil Delindro – Multidisciplinary artist working with a dense fusion of medias. Coming from a background of electroacoustic noise music and independent art production, he has been performing through europe since the age of seventeen, working on open collaborations and performing together with Alto de Pega, SROSH ensemble, Nome and recently in the wide improv echtzeitmusik scene of Berlin.  Delindro explores tensions between ego and nature, time, organic mutations and post digital conflicts, by incorporating organic concrete elements into electronic processed soundscapes. His work has been released and presented in a dynamic variety of forms, from solo and group exhibitions to films and extensive tours. Sound comes as a sculptural research that clashes between chaotic psychedelic textures and obscure relations to Nature. Recently he has collaborated in experimental theater pieces and also in numerous films like Raz Mesinai’s Tunnel Vision, released by tzadik records. He is now post producing an experimental film titled Bruta Gruta, which explores a bizarre world captured during 5 months of isolation in Gerês National Park. He has been in touch with labels such as Sonoscopia,  Giant Fern Records, Marvellous Tone, Blindless films, audition records.  Being also a cultural event producer in both underground and formal places such as Altes Finamzamt(berlin), Toca aqui(porto), Kukulida E.V(Dresden).  One of the youngest and more active artists coming out from Porto experimental scene, having collaborated widely with musicians of different backgrounds such as Gustavo Costa, Yaw Tembe, Jonathan Ulliel Saldanha, Carlos Costa, Harry Taylor, Pedro André.

Audiopollination #14.2 A night of electronic ambivalence

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Audiopollination 14.2 Friday 17th of January

With

1. ABA (Adam Tindale, Anna Jarvis and Bently Jarvis)

2.  Ted Phillips and Glen Hall

3. NAW (Niel Wiernik)

 accompanied by great visuals by Adam Rosen and John Creson

(sorry but Ted and Glen’s wonderful set was not recorded due to an accident with the power and NAW’s set had to be cut in two due to the limitations of bandcamp)